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TidalWaveRider wrote:Lol, this is bad ass. You can talk to Jack freaking Coxwell! And who's Mr. Rogers, Scott? This is nuts.
Jack, you seemed to build comfort with those 2 girls who at first didn't want your number but then changed their minds after the initial rejection. Were you using a particular set of principles to build that comfort? Props on the approach. Those girls were cute as fuck, even the one you weren't all that into (why weren't you all that into her, BTW, she was really pretty... was she wearing Man Repellent?). It all seemed so effortless, making those girls put down their guard. Give me some comfort tips, man.
Mr. Rogers (Scott?), you make a great point about making friends with everyone. I love making new friends, guys or girls. But the fact is guys are easier to be friends with. We know what to talk about at the comfort stage, like sports or hot women. What's confusing is when girls get to that point. In my head I'm going, what the fuck is interesting to this chick. Lip liner? The new fall fashions? I don't know shit about that. In my past relationships I didn't even know there WAS a comfort stage so I was just doing whatever the fuck I pleased, with disasterous results (sparse, long term, occasionally long distance, relationships). What the hell should I read that will significantly upgrade my comfort game?
canibus1990 wrote:shirley, it feels unnatural, cause society programs us that it is. it also programs us that it is the women who choose, that we should supplicate to women. but we know that aint true.
Think of escalation like this: If you father didnt do escalate with your mum, would you be born. OF course he did, and many times. so did all the men in your ancestory.
Shirley Knobsgood wrote:canibus1990 wrote:shirley, it feels unnatural, cause society programs us that it is. it also programs us that it is the women who choose, that we should supplicate to women. but we know that aint true.
Think of escalation like this: If you father didnt do escalate with your mum, would you be born. OF course he did, and many times. so did all the men in your ancestory.
My mother was a rape victim you dick!!!
My conception aside, that may be it, it does feel innapropriate somewhat, like you're doin sumat you shouldn't be, crossin a boundary. I like the idea that society is the problem. Takes the focus away from me own fucked-upnessAnyway, the source aside, I do actually know it's perfectly natural, I just need to implement that belief into me subconscious and consequently my natural behaviour. Anchors aweigh!
TidalWaveRider wrote:"I love comics because the storylines are so compelling. Characters grow up having severe needs and flaws, make friends, sacrificies, tough choices, and change-- all for the greater good. The universes they inhabit are frighteningly and intensely different than our own. The X-Men, for instance, live in a galaxy where mutants with powers like magnetism or lightning exist, where time travel is possible, and space colonization is happening. And yet, even such strikingly differently worlds share sharp similarities with ours. Man's hatred and human capacity for atrocious evil is personified, as normal human beings fear and murder "mutees" and "mutee lovers". The main leader of the X-Men, Professor X, is a leader who believes in peaceful resistance and hopes for the day when both humans and mutants can co-exist in love and harmony-- much like the heroes from our history-- like Martin Luther King Jr and Muhammad Ghandi. When I read a comic book, I feel like I'm in the character's shoes, taking the wild rollercoaster ride that is the plot on a journey of limitless possibilities. It really pumps me up. And the art work makes the story epic, the different styles are like different spices... etc"
--only problem is this is a lot to memorize and I don't want to do that. How does someone get good at coming up with stuff like this on the spot?
Mr. Rogers wrote:You could describe any of those shows almost the same way as the comics. But instead of her not giving 2 shits about the rivalry between Professor X. and Magneto, shes thinking more along the lines of Lauren vs. Spencer/Heidi.
qixsilver wrote:Mr Rogers. Maybe I misunderstood you, but when you commented that she should be responsible for 80-90% to your 10-20% I interpret that as her dominting/controlling the conversation.
Regarding grounding your world via theirs, I think is a risky game. The girl you meet may hate the hills, when you try to relate the two, suddenly, you're debating why the hills sucks - or doesnt suck - vs. conveying your idea.
I do agree on your coments re. tidal's specific example, and I'll use it to explain how I would handle it, which leads me to...
Tidal:
GREAT explanation of why you're into comics, BUT far to specific. With most women, as soon as you start talking about mutants or specific characters and their powers, they're going to tune it out. Remember with specifics, what's elementary to you, is NOT to them. for someone who doesnt read comics, Professor X is just a weird name, and Magneto, well, I wont go there. Using your words, here's what I'd keep (ok, I may reword a little)
I love comics because the storylines are so compelling. Characters grow up having severe needs and flaws, make friends, sacrificies, tough choices, and change-- all for the greater good. The universes they inhabit are frighteningly and intensely different than our own (but they share commonalities with us). When I read a comic book, I feel like I'm in the character's shoes, taking the wild rollercoaster ride that is the plot on a journey of limitless possibilities. It really pumps me up. And the art work makes the story (really come to life).
I wouldn't deliver this story as an opener, or as attraction material, but when in comfort, you've already generated attraction and most women at this point are open to listen to you and want to know what "makes you tick". If you have attraction, then by telling a girl why your hobby is more of a passion and what makes it such an integral part of your world will be interesting to her. I'd probably preface a hobby that has a dorky stereotype with a laughing comment about how you know the stigma. Maybe a prefacing segway like:
*note, this should be delivered as an obvious joke - overly straightfaced I'm thinking?!*
"Yeah, I'm a dork, I'm into pocket protectors, bug collecting and comic books. Oh! and I like to yodel on the weekends!" Let her laugh (hopefully she is laughing at your jokes - even the bad ones?) and after she's had her giggle, move to "no, seriously though, I am into comic books..." and launch into why.
By prefacing something that you know has a bad stereotype with worse things, and laughing at it, you let her know that you don't take it too seriously - which alleviates some of the dork vibe from it. Following that with a well thought out, normal minded rationalle that she may not have considered - that this cool guy who she just met is clearly passionate about - then she can accept it and appreciate it on the same deeper level that you do.
That said, learn the story, and then forget it. Don't memorize it word for word. If you do, then you'll just be an actor delivering his lines to her. If you feel like you have to memorize something, then memorize talking points like:
storylines are compelling.
Characters needs and flaws
universes are different yet similar to ours
When I read a comic book, I feel like...
It really pumps me up
art work makes the story...
So that when you tell her about it, you're honestly speaking "off the cuff" - prepared off the cuff, but off the cuff nonetheless. This ensures that your interactions are legitimate and not scripted, but at the same time, you're preparing an arsenal of things to talk about. This is a passion, so you can fill in the blanks, and get into it. Just avoid the tendency to get too detailed - unless she asks.
If you hook her on your ideas, then it's possible, maybe even likely, she asks you to explain a character. Again, I'd stick to minimal descriptions, and avoid getting too detailed about how cool this or that is. Comics have the stigma associated with them of being a juvenile pursuit, you need to make it clear to her that you appreiate them on a more adult and deeper level.
*pardon the typos... shitty laptop keyboard!*
Mr wrote:...Then you only take a couple of subjects, which you know you want to discuss and you just talk about it making the whole story up right there, sometimes you might wanna stop in the middle of a sentence and rephrase, whatever, but it comes off the most natural, you'll use body language more and people will be listening to what you're saying more. because remember, the contents is only 7% off what you're saying, like 50% is body language (and what was the other 43%?). Body language is mostly unconcious, and used when you're making a story up on the spot, talking naturally....
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